Styrian music is played on the Styrian harmonica (colloquially called the “Quetschn”, “Rumpl” or “Ziachorgl”), the Styrian dulcimer, the Alphorn, and, in many places, the fife or the saxophone. Music clubs are firmly established in every town and perform at local festivities.
Styrian singing can also be heard everywhere – usually in several clubs. Nobody in recent times has described the Styrians and their love of music better than the “homeland poet” Reinhard P. Gruber. In his book “Die ganze Steiermark ist ein einziger Jodler” (“All of Styria is a Yodeller”), he writes that notes are dearer to Styrians than words, and that their vocabulary would be better described as a discography. Every sound that a Styrian makes – the poet continues – is a musical one, and they are virtually born with the ability to yodel.
Dancing, more specifically, Styrian folk dancing, was once a favourite form of entertainment for local people. They especially loved the “Steirer”, a slow dance with lots of arm movements. In accompaniment, people would often sing “Gstanzln”, short verses usually four lines long and customarily made up on the spot. Thousands of these “Gstanzln” have endured to this day, and even now are still being sung, invented, and lost.